Dealing with the phenomena of repetition across a broad range of modern and contemporary aesthetic practices, Repetition in Performance discusses work from dance-theatre (Pina Bausch), avant-garde theatre (Gertrude Stein and Samuel Beckett) and performance practice (Lone Twin Theatre and Sophie Calle). The book explores repetition as generative of particular modes of both watching and making performance, and raises questions about the experience of spectatorship.
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